The icenian

The icenian The icenian The icenian


The icenian

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    • Norwich Cinemas 1945/61
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    • Books 1: Introduction
    • Lovecraft et al
    • Books 2: Angry Young Men
    • Books 3: Nouveau Roman
    • Books 4: Signed editions
    • Books 5: Norfolk Books
    • Oz & The 1960s
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    • Home
    • Menus
      • Norwich Characters
      • Blitzrat to Bookseller 1
      • Blitzrat: 2 Two families
      • Blitzrat: 3 My Family
      • Blitzrat 4 Adelaide St
      • Blitzrat 5 Pastimes
      • Blitzrat 6 People/Places
      • Blitzrat 7 Fun and Games
      • Blitzrats 8 Schooldays
      • Norwich Cinemas 1945/61
      • Norwich Cinemas (Local)
      • Norwich Cinemas (Ind)
      • Norwich Cinemas (Circuit)
      • Norwich Cinemas (Others)
      • Books 1: Introduction
      • Lovecraft et al
      • Books 2: Angry Young Men
      • Books 3: Nouveau Roman
      • Books 4: Signed editions
      • Books 5: Norfolk Books
      • Oz & The 1960s

  • Home
  • Menus
    • Norwich Characters
    • Blitzrat to Bookseller 1
    • Blitzrat: 2 Two families
    • Blitzrat: 3 My Family
    • Blitzrat 4 Adelaide St
    • Blitzrat 5 Pastimes
    • Blitzrat 6 People/Places
    • Blitzrat 7 Fun and Games
    • Blitzrats 8 Schooldays
    • Norwich Cinemas 1945/61
    • Norwich Cinemas (Local)
    • Norwich Cinemas (Ind)
    • Norwich Cinemas (Circuit)
    • Norwich Cinemas (Others)
    • Books 1: Introduction
    • Lovecraft et al
    • Books 2: Angry Young Men
    • Books 3: Nouveau Roman
    • Books 4: Signed editions
    • Books 5: Norfolk Books
    • Oz & The 1960s
Older man with white hair holding a worn copy of "Psycho" by Robert Bloch.

Books: Introduction & Miscellany

All books shown in the various sections are copies from my own collection. I have been reading for 75 years and buying and collecting for 65. Like all collections, my book collecting journey didn't start as a project but was simply a passion; however, like all true collections, patterns began to emerge.


The extent of my reading and interests is varied and fits no discernable theme or topic, but simply reflects whatever has piqued my magpie eye and imagination at any time in my life. Although random, this often casual interest has led me down pathways revealing shapes and meanings far removed from my initial passing interest. It has led to fascinating discoveries as half-formed feelings and interests have begun to acquire a shape and meaning that was not my original intention.


Among my 1000s of books, including several Norwich memoirs, I have found that they can be broken down into discrete elements and themes that lead me to further discoveries that never end. All is connected; all is part of the limitless main, and collectors try to provide stepping stones through this vast landscape to make sense of what seem to be wholly disparate fragments of the unknown whole.


The text is the key, and no real collector ever loses sight of that, but we spice the substance with style and seek out the rare, evocative dust jackets that often tell a story in themselves; special editions; first, signed, and associate editions that carry a frisson of their time; fragile or otherwise anonymous paperbacks and booklets that are part of the fabric of their original creation. This is where we move into the realm beyond the academic, the rational, and the intellectual, marrying the two instincts of knowledge and beauty into an artifact that enhances and transcends The sections that follow only give an indication of my collection and are offered simply as an example of the byways I have explored. There is much that I can never hope to own, so I simply enjoy the substance; however, there is much that I can show, giving some idea of how to develop our passions into a visible form.


Much of what I can show is rare and valuable, but some is not, simply demonstrating how imagination can assemble a collection, however small, into a visible representation of something more than the sum of its parts.


There is no deliberate pattern to anything that follows, simply presented as the whim takes me; perhaps if I do it long enough, a meaning will emerge.

Illustration of a man excitedly holding rare vintage records from the 1920s and '30s.

The Collector

*

Judge not, lest thee be judged, especially when it comes to book collecting, for each collection tells a story. 

Book Collection Introduction

Worn vintage book cover of "The Big Sleep" by Raymond Chandler.

The Big Sleep,

Vintage book cover of "Farewell, My Lovely" by Raymond Chandler featuring a man with a gun.

Farewell, My Lovely

Cover of Raymond Chandler's novel The Brasher Doubloon with a dramatic vintage illustration.

The Brasher Doubloon,

Vintage book cover of "The Lady in the Lake" by Raymond Chandler with a noir style design.

The Lady in the Lake

Book cover of "The Little Sister" by Raymond Chandler showing a woman in a brown suit.

The Little Sister

Book cover of "The Long Goodbye" by Raymond Chandler with an illustrated room scene.

The Long Goodbye

Five great novels from The Master

Cover of the detective novel 'Red Harvest' by Dashiell Hammett.

The one that began it all in 1927

Vintage book cover of "The Dain Curse" with a skeleton and frightened woman illustration.

Great story, often filmed

Cover of 'The Maltese Falcon' by Dashiell Hammett with a falcon and a hand holding jewels.

The Maltese Falcon

Cover of "The Glass Key" by Dashiell Hammett with a woman's fearful face.

The 1931 issue 

Cover of "The Glass Key" by Dashiell Hammett featuring three characters and a newspaper.

The 1940's movie 

One of the most famous titles in book collecting—this was Frank Capra's personal copy,

10 books that set the template for post war science fiction

Vintage book cover of Dark Carnival by Ray Bradbury with surreal black and white artwork.

This UK first edition from 1948

Cover of Ray Bradbury's book The Silver Locusts with surreal desert illustration.

The UK first edition from 1951, published  as 'The Martian Chronicles' in America, is marketed as a novel, although it is essentially a collection of short stories 

Cover of Ray Bradbury's novel The Illustrated Man with cosmic artwork.

This UK first edition from 1952 

Cover of Ray Bradbury's book 'The Golden Apples of the Sun' with space-themed illustration.

This UK first edition from 1953 

Cover of Ray Bradbury's Fahrenheit 451 with a burning figure made of newspapers.

UK first edition 1954. Probably his best known book, although not one of my favourites, this copy is signed by Bradbury. 

Cover of Ray Bradbury's book The October Country with eerie house illustrations.

UK first edition 1957. The magnificent cover design is by Joe Mugnaini, Bradbury's frequent collaborator

An unrivalled body of work

Cover of Ray Bradbury's book 'Dandelion Wine' with a yellow bottle illustration.

This UK first edition from 1957

Cover of Ray Bradbury's book 'The Day It Rained Forever' with artistic illustration.

UK first edition 1959,  It was  published in America as 'A Medicine For Melancholy'

Cover of "Something Wicked This Way Comes" by Ray Bradbury showing a train and eerie town scene.

This UK first edition from 1963

Ballantine Books paperback 1965

Book cover of "The Machineries of Joy" by Ray Bradbury with a dinosaur and artistic letters.

 UK first edition from 1964 

Ballantine Books paperback 1965

Ballantine Books paperback 1965

Ballantine Books paperback 1965

Cover of Ray Bradbury's horror comic book The Autumn People.

This first collection of EC comics adaptations of Bradbury stories, published by Ballantine Books from the 1950's originals.

Ballantine Books paperback 1966

Ballantine Books paperback 1965

Ballantine Books paperback 1965

Cover of Ray Bradbury's "Tomorrow Midnight" science fiction comic book.

This second collection of EC comics adaptations of Bradbury stories, published by Ballantine Books from the 1950s originals.


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