The end of the War brought with it a generation of writers who flourished in the 1950s with the new freedoms and attitudes that were forming, as society painfully emerged from the repressive first half of the twntieth century into the brave new world of individual freedom from the previously unchallenged established order. The world that emerged in their plays and books reflected the changing world of Britain as it awoke from the wreckage of the 1940s, and became the new era, when the working class began to demand the same autonomy and disregard for the established order that had always been enjoyed by the predomimately middle class artists of the pre-war period. The 1950s was the era of the painful and angry gestation that gave birth in the 1960s and wiped away the old order forever.
This new world was fuelled by books, plays, films and music that had no respect for authority or tradition; it was non-conforming and radical, a genuine working class voice that enraged the establishment but found favour with a young generation seeking its own place in what was a fast changing, but infinitely exciting time to be alive.
America had its own 'Beat Generation' version of this movement, which I will cover in another section, but in this country it was labelled 'The Angry Young Men' for awhile, and it revolutionised British theatre and film as theatres like The Royal Court, and film companies like British Lion and Woodfall gave us the great era of the 'Kitchen Sink' dramas. These terms were supposed to be disparaging but the movement owned the zeitgeist, and the established order was submerged.
The books that follow are from my own collection and represent the key works that in a dozen years re-wrote the world for a new generation. They are not all masterpieces, and some are better known in performance than print, but they all have the vitality of the iconoclast who creates as he destroys.